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You want your meat board to be a statement of your ambition. Not as a cook, but as an eater. If you can avoid it, don't just let this be a venue for a dinner plate. You want a board that seems deliberate and larger than life. Wood is good. But so is slate or stone or anything smooth and safe for food. In this moment, when you are putting together a board, you are not a chef, nor even a cook. You are an artist in front of a fresh canvas, but your paints are going to be the foods that you most love.
For my whole life, the idea of foraging has had a romance that I can't quite put my finger on. Way before it became a punchline about hyper-local hipster foodies, to be a forager was a signal of a deep wisdom about the land. To know what could be eaten was to have access to riches that were all around us. In a world beset by industrial foodways, foraging is a reminder that the world can sustain us (or at least some of us) without our machines, if we would simply let it.
The trouble with foraging, though, is that unless you grew up in the style of Katniss Everdeen or the Girl of the Limberlost, most of the earthly wisdom and insight needed to forage well is beyond you. And this is definitely a wisdom that you need to gain through practice. Ideally, some Italian-born wood elf––someone like Angelo Pellegrini or Angelo Garro (who at least is still alive)––would appear to teach a willing learner how to gather and find and hunt out the best things available on the earth. But that's pretty unrealistic. So, the only thing to do is to just do it––after all, if we start small, build up some confidence and awareness, and then keep going, before long we might rediscover some of that lost knowledge so that we can pass it along ourselves.
So, from the experience of one free food fan who hopes to be more, here's how to get started as a forager.
I am a defeated knight––noble in my essence (or so I feel), but waylaid and shrunken down while fighting a beast that no man could possibly face undaunted. The beast spits fire, inundates me with dust from its mighty, flapping wings, and seems to pull the very ground from underneath me. I cower behind my shield and do what I can to battle the beast back, but at best I can manage a draw in any of our fights. And day by day, the beast gains more ground. Or that's how I feel. The beast is debt. Random sums of money are my outmatched weapons. And despite my lobbing those missiles as hard and direct as I can, I
I spent solid twenty-five years of my life in school. It began in kindergarten and I then headed straight from high school into undergrad, a master's degree, and then a Ph.D (I know, I know...) One of the things I truly miss now that I'm no longer an enrolled student is the optimism and excitement that comes with shopping for school supplies. Nerd or not, there is something that is just exciting about having fresh notebooks, new pens and pencils, bags, folders––all the "stuff" of school. Adult life may entail the occasional new notebook, but there isn't a season for it in the Fall where everything is potential, and all the success and mistakes are in the future.
That we don't do this as adults is a shame. Because there is every reason for all of us to be ready for school. The longest project in a any maker's life is the constant, endless craft of oneself. And there is no way to make progress on this project without the proper tools. I think most people dedicated to craft have slid into a life of learning whether consciously or not. And there's no reason not to prepare ourselves with supplies to complete this project well. But, of course, a life of learning is not the same as preparing for a school year. It has a different set of requirements and it calls for some different kinds of supplies.
I remember when the cheese lovers started telling me what was "real" cheese and what was "fake." I remember taking them seriously because they were talking about cheese cultures (ha. pun!) I knew to be important: Italian, French, Swiss, Spanish, etc. "Cheese is alive!" these experts insisted. And anything that was not the product of natural fermentation and cave-aging was unacceptable. Eating the rind was important. The worship of bacteria in the process was expected. The presence of insect larvae was not necessarily a negative. Out of a world that had room for Cheeze Whiz, handi-snacks, and this bit by Mitch Hedberg, the celebration of authentic, non-adulterated cheeses was completely legitimate.
For years now, Michael Pollan has become the authority on the relationship that human beings have to food in the modern mechanized, industrial world. He has written on gardens, the inter-relationship between specific plants and their human users, the food systems that operate in our world, the ethics of our diets and the deeper meanings behind our cooking traditions. In short, he has become one of the most influential authorities on what we put in our stomachs. In the process he has helped foster a whole new approach to food that has manifested in artisenal pickle shops, kombucha in every store, and a renewed focus on locality in our food
Keeping up with pop culture can feel like a chore, especially if you find yourself in crowds where making casual reference to what you watch and listen to is part of day-to-day communication. Some aspects of the culture are just too vast to ever totally simplify. (Call me old, but I can never keep track with how quickly pop singers come into huge popularity and then seem to disappear.)
But more manageable than music are movies, which don't tend to get to reference-able level until it has not only saturated the audience, but also soaked deep into our memetic fibers. But in some cases, this takes a long time, and some of the films people
"One does not inhabit a country; one inhabits a language. That is our country, our fatherland –– and no other." –– Emile Cioran
We're living at a weird time when it comes to the question of learning a new language. On the one hand the world is becoming so globalized, so intercultural, and so communicative, that there has never been a more relevant time to learn Korean or Farsi or Finnish. On the other hand, digital tools for translation––both in written and spoken forms––are becoming so capable and intuitive that language is no longer the high water mark for understanding a culture.
For centuries of especially European history, learning languages was a crucial part of being an educated and informed person. After all, in a world full of different languages, it was a necessity to be able to communicate. But in a bizarre way, global society has actually made us LESS dependent on learning a foreign language. English has become the internet's lingua franca, and tools like Google translate and other translation software has made navigating multi-lingual spaces easier. And tools like Duolingo give us exactly the amount of language access we need, which seems to be enough Spanish or French or Mandarin for our vacations. Language courses and requirements are disappearing from schools and unless you are born into a family that speaks a language different from the culture around you, its harder and harder to learn.
Stargazing is a hobby that comes with a bit of a learning curve. It requires real intellectual engagement, specialized (and expensive) equipment, and a lot of free time when the sky is dark. So its understandable that only the truly dedicated might get into it in a meaningful way.
Or...is it? Because looking at the stars at night is one of the cheapest, oldest, and most egalitarian hobbies that's out there. Because the sky belongs to everyone, and people have been marveling at it for a very long time.
Some three years ago, an Australian man named John Plant started filming his hobby of spending time in nature and learning to subsist without any tools. He posted his videos on Youtube as a kind of documentation of his progress and they served as a venue for a kind of education, though only in the most minimalist sense. Taken without context, its a strange, new genre of media that has found an audience––something pretty standard for the internet. (There are now countless channels on the internet where people have ripped off Plant's original premise.)