It's a big country, the USA. And the myth of the open road remains strong, even if it will be self-driving cars that move us there. A little bit of research about roadside attractions in America will yield a host of unique and bizarre results. So here are a couple unique sites located off the beaten path that are worth visiting in the American Southwest.
So you've snagged your new go-to blazer, upgrading your the 13-year-old-at-his-first-school-dance look of solo white shirt and black dress pants. Congratulations! You're now hovering at the upper style echelon that the big boys call classiness. Now, this may be a perfectly acceptable sartorial level to rest, one where you can command all the professional respect you'd ever need. But you're not satisfied with simply acceptable, right? Of course not! You want to pursue panache, you want to exude aplomb, you want to chase other fancy-pants dictionary words.
My friend, you're in need of a pocket square.
You know, the dandy cousin of the handkerchief that's there to just look cool and wouldn't dare catch a snot drop. Clothing is a nonverbal speech bubble, and conscious choices display confidence; the pocket square elevates the wearer another notch into the realm of "I know what I'm doing," provides variety for a frequently-worn outfit, and radiates the warmth of self-expression.
Read on for the ManMade primer on choosing your pocket square, then learn how to fold a pocket square and starting off with three basic pocket square folds!
A travel mug is a simple device. So simple, that it's so notable when so many get things wrong. And then you use the perfect one, and you realize all the care and design that goes into the things we use everyday, and it's amazing.
There's a travel coffee or tea mug that keeps your drink warm for hours, you can throw in a bag and never worry about it spilling, and provides a safe and pleasant drinking surface from which to sip. And it costs $20. And that mug
Mid-century modern is an umbrella term that describes the popular industrial design taste ranging from the mid-1940's to the mid-1970's across all disciplines—architecture, interior design, product design, and graphic design. It was huge shift in its time, orbiting around the desire to strip away excessive ornamentation and get things down to their most basic shape elements. Despite the changing aesthetics of the 1970's onward, it continues to endure—in the words gallery owner Patrick Parrish, "It’s been the new cool thing five times in the last 50 years."
Of course, no design era is the pinnacle of perfection. Elements of mid-century interior design can oversaturate our eyeballs—does anyone else completely overlook the Eames chairs placed in the corner of perfectly-styled rooms on Pinterest—and after living in post-Soviet East Germany for a year, I gotta say that the stark minimalism of Brutalist architecture can get really depressing in a snowless winter. (I also have to admit that sometimes even the word "design" is so overused that it feels like a gnat swarm to the face on a muggy day in August.)
Yet, I can't help but love the work of French-born, NYC-based designer Raymond Loewy (1893–1986). You probably don't know the name, but the guy was so prolific that unless you've been living in a cave, I guarantee you've seen his work. Let's take a look at some of his greatest hits.
One of my all-time favorite aphorisms is that Victorian era gem that shines from its facets of order, efficiency, and thrift:
A place for everything, and everything in its place.
I consistently use this idea to recalibrate the way I see my home and studio. My wife and I are work-from-home freelancers; we're in our house 90% of the week and share it with our very active toddler and three cats, working and playing and cooking three meals a day, so we make a lot of mess. Without direct intervention, entropy reigns supreme, with total anarchy its final goal. Thus I constantly ask myself when I put something down: Is that where it lives? If the answer is no, put it away for real.
Well, let's piggyback off the idea of "a place for everything" to deliberately use our physical space to make good habits.
I recently came across a great quote originating on Twitter by Stephen Fry concerning the debate on the analog-digital dethronement sequence: "Books are no more threatened by Kindle than stairs by elevators."
I'm a man neck-deep in digital technology (one prime example: I mostly draw digitally in Photoshop on a Cintiq tablet, which uses "brushes" coded to act like anything from watercolor to oil paints to graphite) and I wholeheartedly agree with Mr. Fry. The more my surroundings convert to lines of code, sandwiched between a backlit screen and a power source, the more I want to balance it all out with things I can touch, taste, and smell.
Correspondence is one of those areas: I email and text a lot, but recently I've started to turn to my old friends at the U.S. Postal Service to send my most important messages, for the simple fact that nothing says "I care" more than a handwritten note. (Check out our post on the still-existing power of the handwritten letter for more on the subject.)
The only thing is, if I'm going to take the time to write someone a letter, I'm going to go the extra mile and forego the cheap printer paper. So, along with a good pencil or fountain pen, the number one item I need for this task is some good, high-quality stationery that looks like it came from...well, me. Read on for some of my favorite suppliers!
When I sat down to write about typography this morning, there was so much I wanted to say that the letters on my keyboard actually sat silent for a good few minutes.
We're in a golden age for typography. Gutenberg totally exploded Europe in the 1500's when he dropped the printing-press-with-moveable-type bomb, but even then, for the next 500 years, the spread of ideas and publishing were in the hands of a collection of specialist craftsmen and the people who hired them. (After all, producing physical objects is expensive.) Then, in rolled desktop publishing in the 80's and—combining computer hardware, software that included digital type, and the ability to effectively "print" on-screen and distribute to other screens instantly via the Internet—you've effectively got a second Printing Revolution happening right now, with type squarely in the middle of it.
Typography was once a niche element, but now we're up to our ears in it. As it is with any craft that takes a lifetime to master, thoughtfulness will set you and your message apart. The craft will give back what you put into it. Using typography in design is a lot like using salt in cooking: when it's used well, it contributes to a greater whole but goes largely unnoticed; when typography calls attention to itself, it's typically been used poorly.
If you've ever been putting together a quick flyer or PowerPoint presentation and wanted to put a little more thought into your font choices, but you feel like you're shooting blindly in the dark because you're not a trained designer, we've put together a quick guide for you.
Author Seth Godin, in his book We Are All Weird, argues that the Internet era has busted open the starting gate and let the tribes out: information has truly become democratized, so now it's much easier for niche interests to connect and collect. One great example of this is the MoOM, or Museum of Online Museums. Coudal Partners, a Chicago design firm who created the famous Field Notes brand of notebooks with design guru Aaron Draplin, have run the site for about 10 years, which is basically just a big list of links, and in it you'll find the full gamut of niche stuff: from major institutions' virtual presence, like Amsterdam's famous art collection at the Rijksmuseum, to the most overlooked stuff like Manhole Covers of the World, it feels like it's all here.
If you're a designer looking for visual inspiration, a novelist on the hunt for a random detail to spark a story, or a just fan of vintage eggnog labels, look no further than this treasure trove. I first discovered it way back in college and, though I did waste a lot of time combing through it, I was also able use it to do a lot of research on package design.
Read on for some of my favorites in the collection!
Everyone likes a nice motivational quote with a fine adventurous backdrop and some nice typography that reminds us to get outside.
These are thoughts, the artwork, the news stories, the tools, the food, the conversations, and whatever else we just can't get out of our heads this month.
Editor's Note: This project is an excerpt from the new book The Art and Craft of Wood: A Practical Guide to Harvesting, Choosing, Reclaiming, Preparing, Crafting, and Building with Raw Wood by Silas J Kyler and David Hildren. The book is available now at your favorite local bookstore, Powell's, or Amazon. Thanks to Quarry Books for sharing this project with us.
Building furniture is what first drew me to woodworking. The first coffee table I ever made was for my mom. It was a surprise gift, and I worked tirelessly, hour upon hour, to create something I was proud of. I remember the unveiling well, and the joy it gave her was well worth all the hard work.
The projects to this point have been small and technically much easier than building a piece of fine furniture. Going from making a serving tray or lamp to a coffee table may feel like a big step, and in many ways it is, but practicing with small projects gives you all the skills you need to approach a simple piece of furniture. Remember: with a good dose of patience, you will be well on your way to creating beautiful furniture.
I had a particular set of mesquite slabs in mind when envisioning this coffee table. The tree came from my neighbor’s front yard. When it was removed, they simply asked the crew to leave the trunk behind for me to gather. As I was giving this tree a new life, I could step outside my shop, look across the alley, and see where it lived and died. I could also see where the logs sat and seasoned for two years, driving my wife crazy.
Indoor plants in your home are a no-brainer: they bring the outside in, improve air quality, provide lots of natural color and texture, and encourage you to take an investment in the spaces you spend your time. They literally (and figuratively) add life to your home. Learn how to rock the green look with these six guy-friendly decor ideas. No floral wallpaper need apply.1: Mix and match. (pictured above) Go freestyle! Hit your nearest nursery and select a few different varieties. A few ideas include: palms, ferns, Massangeana, and rubber tree. Make sure to ask them about any special care requirements for each one of them (prior to
I've had a generally mobile office for years. What this looks like to me is a laptop, random notebooks, and a mass of cables. While I've set up my "office for the day" in a variety of spectacular locations, I've always lusted after the campaign desks of old, which adventurers carried along to pen notes, history changing letters, and likely stash a bit of liquid courage.
The team over at Gear Patrol captured a great inside look at the Legendary L.L. Bean factory in Brunswick, Maine and their process for making their iconic Bean Boots.
If you don't already own a pair of Bean Boots, I cannot recommend them enough. Their simple design and rugged craftsmanship have lasted me many years and many more into the future.